|
|
 |
| GALLERY 9: PETER PAUL RUBENS, STUDIO AND CONTEMPORARY ARTISTIC CONTEXT
|
 |
 |
 |
Besides the 33 autograph paintings by Peter Paul Rubens that the Princes von Liechtenstein have assembled over a period of three centuries, the Princely Collections also provide the opportunity to get acquainted with the wider artistic context Rubens was working in. With his "Raising of Lazarus", Maerten de Vos, a representative of the Antwerp school of painting, is an example of one of Rubens's forerunners. The juxtaposition in this room of portraits by the young Anthony van Dyck with portraits painted at the same time by Rubens quickly makes evident the parallels and differences between the two artists. An extensive school developed out of Rubens's large studio, represented here by Theodoor van Loon's "Adoration of the Magi" and Erasmus Quellinus's "The Meeting of King Solomon and the Queen of Sheba".
|
 |
 |
|
 |
|