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ANTHONY VAN DYCK
PORTRAIT OF A MAN
The companion pieces "Portrait of a Man" and "Portrait of a Woman" (GE 71) date from 1618, and thus are the earliest dated paintings in van Dyck’s oeuvre. The portrait of the married couple, with the two sitters facing each other symmetrically, clearly reveals its origins in the diptych, whose wings were actually connected to each other. Portraits of this type were seen mainly as a record of marital status, and did not express emotional commitment. The conventional black clothing with white, stiff ruffs, a Netherlandish fashion that was sometimes influential abroad, helps to support the sense of emotional distance between them. Van Dyck enlivens the monotony of the clothing, a particular challenge for every painter, with thickly applied accents to ornament and folds, and gives the ruff almost physical substance in this way. The pictures do not seem to have been painted at the same time: the woman’s portrait is more secure in the use of painterly resources than its counterpart.
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Anthony van Dyck
Portrait of a Man, 1618
Oil on panel
height 106 cm, width 74 cm
Dated top left: Ao 1618 Inscription top right: AET.57.
Inv.-No. GE70
Provenance: 1733 identified by seal as entail
On display in
Gallery IX, Peter Paul Rubens, studio and contemporary artistic context
Further works on display
Portrait of Maria de Tassis, c. 1629/1630
St Jerome, c. 1615/1616
Portrait of an Old Man, c. 1618
Portrait of a Man, c. 1630/1632
Portrait of James Hamilton, third Marquess of Hamilton, 1640
Portrait of a Woman, c. 1618
Portrait of a Woman, 1618
Portrait of Antonio de Tassis, 1634
Portrait of a Genoese Nobleman, 1624
Venus Receiving the Arms of Aeneas from Vulcan, c. 1629/1632
Portrait of the Painter Frans Snyders
Portrait of the Painter Caspar de Crayer
Portrait of Engelbert Taie, baron of Wemmel
Portrait of a man
Portrait of a Man with a Medallion
Portrait of the Infanta Isabella Clara Eugenia (1566–1633), Governor of the Spanish Netherlands
Portrait of Johan VIII, Count of Nassau-Siegen, c. 1616/1617
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